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Friday, November 25, 2011

Narcissus

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 St. Louis, Mo. Series ©2011 Thomas Hawk
"When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else."—Georgia O'Keeffe

Narcissus – Poem by Jane Hirschfield


NARCISSUS:  Tel Aviv, Baghdad, San Francisco; February 1991
by Jane Hirschfield
And then the precise
opening everywhere of the flowers,
which live after all in their own time.
It seemed they were oblivious but they were not,
they included it all, the nameless explosions
and the oil fires in every cell, the white petals
like mirrors opening in a slow-motion coming-apart
and the stems, the stems rising like green-flaring missiles
like smoke, like the small sounds shaken
from those who were beaten—like dust from a carpet—
into the wind and the spring-scented rain.
They opened because it was time and they had no choice,
as the children were born in that time and that place
and became what they would without choice, or  with only
a little choice, perhaps, for the lucky, the foolish or brave.
But precise and in fact wholly peaceful the flowers opened,
and precise and peaceful the earth: opened because it was asked.
Again and again it was asked and earth opened—
flowered and fell—because what was falling had asked
and could not be refused, as the seabirds that ask the green surface
to open are not refused but are instantly welcomed,
that they may enter and eat—
As soon refuse, battered and soaking , the dark mahogany rain.
—Jane Hirschfield From  THE OCTOBER PALACE
Historical Context of Poem:  BBC On This Day
About the Photographer
Photo by Karen Hutton
Introduction
Sometimes I like to think of myself as a photography factory. I see my photographs mostly as raw material for projects that might be worked on at some point later on in life.
When I'm not taking or processing the pictures I'm mostly thinking about the pictures. I'm trying to publish a library of 1,000,000 finished, processed photographs before I die.
The absurdity of my obsessive compulsive view on photography is not lost on me. But it is the absurdity of life that I find most beautiful of all. Where Sisyphus had his stone I have my camera and a bag full of lenses.
Document, explore, lather, rinse, repeat. Photography for me then becomes a kind of hyperactivity, loosely arranged and presented. My work is less about individual images and instead more about the power of a massive amount of excessive and disjointed images where stories, characters and places sometimes stay and other times reappear or disappear entirely for no good reason at all.
Most of my images are Creative Commons licensed, non commercial with attribution.  If you'd like to use any CC licensed images for non commercial or personal purposes feel free.  If you'd like to use any of my images commercially, please contact me.
"Don't think about making art. Just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they're deciding, make even more art." - Andy Warhol

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