Smile My Heart,Smile~Louise c. Fryer

Smile My Heart Smile ©2012 Louise c. Fryer















Showing posts with label cultural tensions. Show all posts
Showing posts with label cultural tensions. Show all posts

Sunday, December 11, 2011

In Times of Peace ~Khan Yunis, Gaza Strip

Khan Yunis Refugee settlement destruction Zoriah

© zoriah/www.zoriah.com The owner holds all original copyright and licenses. Republishing rights for bloggers only, companies, organizations, NGO's and similar must first obtain permission before republishing. Contact www.zoriah.com/contact for more information or email info at zoriah dot com.

Damage from attacks on a Palestinian neighborhood in Khan Yunis, southern Gaza Strip in March, 2006

At the moment, with journalists trapped in Israel and not able to enter the Gaza Strip to report, I will focus my attention on the ongoing humanitarian crisis in Gaza. If people have contrary views to mine and believe different sides of these issues need to be covered, I encourage you to get out there and do it. My assumptions were affirmed by friends living in Gaza that the situation there is quite desperate. My focus continues to be the human side of conflict and not the political side and I hope the images I am posting from Gaza will show how bad the situation is there even during "times of peace." I also encourage comments and will pay special attention to those posted by people who have lived both in Gaza and in Israel and understand both sides of this situation in reality and not just in theory. ~Zoriah

Kindness
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness
.

~Excerpt Naomi Shihab Nye.

Friday, November 25, 2011

Narcissus

6402520029_554990c15f_b
 St. Louis, Mo. Series ©2011 Thomas Hawk
"When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else."—Georgia O'Keeffe

Narcissus – Poem by Jane Hirschfield


NARCISSUS:  Tel Aviv, Baghdad, San Francisco; February 1991
by Jane Hirschfield
And then the precise
opening everywhere of the flowers,
which live after all in their own time.
It seemed they were oblivious but they were not,
they included it all, the nameless explosions
and the oil fires in every cell, the white petals
like mirrors opening in a slow-motion coming-apart
and the stems, the stems rising like green-flaring missiles
like smoke, like the small sounds shaken
from those who were beaten—like dust from a carpet—
into the wind and the spring-scented rain.
They opened because it was time and they had no choice,
as the children were born in that time and that place
and became what they would without choice, or  with only
a little choice, perhaps, for the lucky, the foolish or brave.
But precise and in fact wholly peaceful the flowers opened,
and precise and peaceful the earth: opened because it was asked.
Again and again it was asked and earth opened—
flowered and fell—because what was falling had asked
and could not be refused, as the seabirds that ask the green surface
to open are not refused but are instantly welcomed,
that they may enter and eat—
As soon refuse, battered and soaking , the dark mahogany rain.
—Jane Hirschfield From  THE OCTOBER PALACE
Historical Context of Poem:  BBC On This Day
About the Photographer
Photo by Karen Hutton
Introduction
Sometimes I like to think of myself as a photography factory. I see my photographs mostly as raw material for projects that might be worked on at some point later on in life.
When I'm not taking or processing the pictures I'm mostly thinking about the pictures. I'm trying to publish a library of 1,000,000 finished, processed photographs before I die.
The absurdity of my obsessive compulsive view on photography is not lost on me. But it is the absurdity of life that I find most beautiful of all. Where Sisyphus had his stone I have my camera and a bag full of lenses.
Document, explore, lather, rinse, repeat. Photography for me then becomes a kind of hyperactivity, loosely arranged and presented. My work is less about individual images and instead more about the power of a massive amount of excessive and disjointed images where stories, characters and places sometimes stay and other times reappear or disappear entirely for no good reason at all.
Most of my images are Creative Commons licensed, non commercial with attribution.  If you'd like to use any CC licensed images for non commercial or personal purposes feel free.  If you'd like to use any of my images commercially, please contact me.
"Don't think about making art. Just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they're deciding, make even more art." - Andy Warhol

Saturday, November 12, 2011

Broken Cord

image2011©Blindman Shooting

Remember

Remember the sky that you were born under,
know each of the star's stories.
Remember the moon, know who she is. I met her
in a bar once in Iowa City.
Remember the sun's birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother's, and hers.
Remember your father. He is your life also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe. I heard her singing Kiowa war
dance songs at the corner of Fourth and Central once.
Remember that you are all people and that all people are you.
Remember that you are this universe and that this universe is you.
Remember that all is in motion, is growing, is you.
Remember that language comes from this.
Remember the dance that language is, that life is.
Remember.
~ Joy Harjo ~(from How we Become Human)

 

A Fight For Her Grandchildren Mirrors A Native Past

by NATHAN ROTT

October 25, 2011

Suzanne Crow, 58, has made and received a lot of bad telephone calls in her life, including the time she told her family that her 3-year-old son had died in a hospital because there wasn't a doctor on duty to care for him. Life in South Dakota as a displaced member of the Lakota and Dakota Sioux tribes can be tougher than most.

"It's affecting the tribes in more ways than just them being gone. It's affecting the genetic memory. Maybe those are our chiefs coming up and they're gone," she tells Michel during the interview.

But the phone call she received on a sunny May day in 2007, Crow says, is still one of the worst. A distant relative had just driven by her home in Sioux Falls, and Crow says what she heard instantly connected her past to her present, bringing the next several years of her life to a near stop.

"The cops are at Lena's house," Crow said the relative told her. "I think they're taking your grandchildren."

Brianna was 6-years-old. Her younger brother was 5.

Their mother had left a cousin in charge, but Lena was late coming home. Their father, who was an illegal immigrant, was caught and deported years earlier. So when police found the children in the front yard after their cousin left, there was nobody to take care of them.

The children, however, had a plan for situations like this. If they were ever left alone or if someone was drinking at home, they were always instructed to go across the street, to their grandma's. If she wasn't there, the back door would be left unlocked.

But on that May day, Crow wasn't home and the back door was bolted shut.

A Disproportionate Population

In South Dakota, where American Indians make up less than 15 percent of the state's child population, 60 percent of the state's foster care population is American Indian children.

Suzanne Crow's story is part of an NPR News investigation. Read more about the series here.

Derrin Yellow Robe, 3, stands in his great-grandparents' backyard on the Crow Creek Reservation in South Dakota. Along with his twin sister and two older sisters, he was taken off the reservation by South Dakota's Department of Social Services in July 2009 and spent a year and a half in foster care before being returned to his family.

Native Foster Care: Lost Children, Shattered Families

Nearly 700 Native American children in South Dakota are removed from their homes every year.

It's a number that Crow is familiar with and a number that always struck her as ironic.

For more than a century, a similar number of American Indian children were removed from their homes, families and cultures and placed in boarding schools. It was part of the U.S. government's assimilation policy. She had been sent away when she was 5-years-old. Her mother couldn't afford to provide for her or her sister. So, she enrolled them at Saint Paul's Indian Mission, an Indian boarding school on the Yankton Sioux Reservation in Marty, S.D., built in the 1920s during the middle of the U.S. government's assimilation policy years.

"There is a very strong history in this country of removing Indian kids from their homes," says Brenda Child, who chairs the University of Minnesota's American Indian Studies program. Her grandfather was a student at the first off-reservation boarding school, Carlisle Indian Industrial School.

But by 1958, when Crow started school there, "assimilation as a policy had ended," Child says. Yet its legacy remained and Crow's story, Child says, is one that's familiar.

American Indian parents who lost their children forgot how to be parents and their children were no longer being raised with parents to learn those skills from. Crow still remembers her first day, walking into a long room filled with white dresses. It was a little girl's dream, she says, until she turned around.

Her mom was gone. "I cried for three days," she says.

Rules To Be Followed

It took Crow just over two hours to return to Sioux Falls the day her grandchildren were removed from their home. But it was too late.

When Crow arrived home, her grandchildren had already been taken to Children's Inn, an emergency shelter and foster home in Sioux Falls. Crow drove straight there, she says, and asked to take her grandchildren home.

"It's not that easy," says Children's Inn's Director Amy Carter. Carter didn't tell Crow no herself, she's only been director for three years and wasn't familiar with Crow's case, but she's seen similar stories. "That situation is more common than you'd like to think," she says.

Because of that, there's a system of rules that has to be followed.

"It's a complex system, but it's made that way to ensure the safety of the children," Carter says.

By the time children reach her organization, they're already under the custody of the state and the state's Division of Child Protection Services (DCPS) calls the shots. Children's Inn is just the starting point to a long process.

"I can understand why people get frustrated with it," Carter says, "and I won't deny it can be frustrating. But that's the system we're working in."

Process Harkens Back To Boarding School Days

Life at Saint Paul's was full of processes. There were routines and rules that were strictly enforced, Crow recalls

American Indian Boarding Schools Haunt Many

The government-run boarding schools required students to talk and dress as mainstream Americans.

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American Indian School a Far Cry from the Past

Much has changed since the days when off-reservation schools were used to expel Indian culture.

No speaking in the native Lakota language, no gathering in groups larger than two, no talking back.

"At one time they had 500 children here," says David Tickerhoof, a current pastor at Saint Paul's Church. "There had to be a pretty stringent discipline system."

The school is now tribally run and Tickerhoof has only been at the neighboring church for 14 years, so he can't speak to specifics of the school's past. But from talking with former teachers and students, he understands the history of the school and its surrounding community.

"It was like the inner-city in a rural setting," he says.

Crow said she recognizes some positive things about the school. Since her mother couldn't provide for her, at least at Saint Paul's, she was fed, sheltered and educated.

But there were bad parts: Haircuts, and punishments, Crow says, for speaking in her native Lakota tongue.

"The goal wasn't to make them non-Indian," Tickerhoof says, "The effort was to really help them stand as an equal in the job environment and to do that they had to be able to communicate in the dominant society."

He continues: "I'm not going to say negative things didn't happen here, that's idealistic and naive. But I think it was hard on everybody."

To cope, Crow says, they prayed.

"We'd get up and pray at our bed, then go to church and pray, then to breakfast and pray, then to school and pray, and then lunch and pray — always praying," Crow says. "I remember praying for John Kennedy when he was shot."

But most times she prayed for something else. She says she "prayed and prayed and prayed," for her grandmother to come and get her, to find her and take her away. For 12 years she prayed.

It never happened.

"Have you ever prayed and prayed and prayed for something and then it never happened?" she asks. It still haunts her.

A Prayerful Fight

More than 50 years later, Crow began the battle to get her grandchildren back by praying.

Suzanne Crow looks through a family photo album at her home in Sioux Falls, S.D., and comes across an old newspaper clipping of Sitting Bull, a Hunkpapa Lakota like herself.

John Poole/NPR

Suzanne Crow looks through a family photo album at her home in Sioux Falls, S.D., and comes across an old newspaper clipping of Sitting Bull, a Hunkpapa Lakota like herself.

"I prayed for whatever judges were involved, whatever social service people are involved — whoever's in my path I wanted to pray for them too," she says. "So I did."

For the first months she prayed that the children would be returned to their mother. Crow offered her help, went to court proceedings and took notes, but the bulk of the work she left to her daughter, Lena.

"They tried to turn her into a professional hoop dancer, jumping through all their hoops." But the children were never released.

Within a week of being taken from their mother's, they were placed in a white foster home in Sioux Falls. After about six months, Lena gave up hope, Crow says. There were too many strikes against her, so Crow says Lena attempted suicide. That attempt, though failed, killed her chances of getting her children back, Crow says. She was no longer deemed psychologically competent to be a parent.

"So that's when I filed for adoption," Crow says, "they couldn't throw any of that guilt in my face."

Crow had a house, a salaried job as a seamstress at David's Bridal and no criminal history. The problem was, she had to convince the state of the same thing and that's hard for any grandparent to do, says B.J. Jones, an attorney and judge for various tribal justice systems in the Dakotas and Minnesota.

"The state court system is so hard for grandparents to crack and sometimes it's hard to really identify what the reasons are," Jones says.

The result, he says, is this: "We have the government being the grandparents and the government doesn't have a good track record of taking care of Indian kids. Historically that's been disastrous. It's been a nightmare."

The state's department of social services says it's not trying to usurp family ties.

"We come from a stance of safety," says Virgena Wiesler, the division's director. "That's our overarching goal with all children. If they can be returned to their parent or returned to a relative and that safety can be managed, then that's our goal."

In interviews with NPR, Wiesler and the state's DCPS said they would not speak about individual cases like Crow's.

All those years — those 12 years in boarding school — not once did I get to be who I was supposed to be. Not once did I get to speak Lakota and see my grandma. They took our genetic thinking and turned it inside out. And then who are you?

- Suzanne Crow

Jones wouldn't either, but he did say that in his opinion, the limited access and rights of extended family like grandparents is the biggest problem with current law.

"I've seen a lot of cases where the grandparents would be eligible," he says, "but they've got to background you, they've got to license you and this, this, this, and that, that, that."

That's what Crow experienced.

"They tried to turn me into a fancy dancer too," she says.

She went through the steps, met with case workers, registered for and completed foster parenting classes for both the state and the tribe. She became a licensed foster parent and still, the kids remained in foster care for three years.

They were being taken care of, she says, just like she was in boarding school, but she was worried about them being raised in another culture.

"All those years — those 12 years in boarding school," she says, "Not once did I get to be who I was supposed to be. Not once did I get to speak Lakota and see my grandma. They took our genetic thinking and turned it inside out. And then who are you?"

A Return To Family 

The state eventually released Crows's grandchildren, now ages 10 and 11, from foster care, giving custody to their stepfather, who also cares for two of Lena's other children in Pipestone, Minn.

Crow says she believes she should have custody of her grandchildren.

She sees them as often as she can. She talks to them on the phone and messages them on Facebook. Earlier this year, she saw her grandson play in a soccer tournament and braided Brianna's hair before a family member's high school graduation ceremony.

She talks to them in Lakota when they'll listen, trying to instill bits of their native culture whenever she can. It's her duty as a grandmother, she says, to help give them an identity — to fight for their future because of her past.

"I think their culture is what's going to save them," she says, "It's what saved me."

 

About the Photographer:

Blindman shooting

I have come to realize that my art has diversity with powerful individual vision, that chronicles the life of individuals. People draw me into their lives to tell their story to anyone willing to listen and validate their reason for living. My attraction to story telling grew as my life developed behind a camera. I discovered that its not how a photographer looks at the world that is important, its their relationship with their fellow human beings and these moments of connectivity that are frozen in time for all to see.
last thought for the photographer, "Whatever you look to see outside, is waiting inside you".

Sunday, September 11, 2011

Act Great ~ FDNY Battalion 9 Memorial ~ 9/11/2011

FDNY_Battalion_9_9-11_MemorialFDNY BATTALION 9 MEMORIAL 9/11/2001

ACT GREAT

What is the key
To untie the knot of your mind’s suffering?

What
Is the esoteric secret
To slay the crazed one whom each of us
Did wed

And who can ruin
Our heart’s and eye’s exquisite tender
Landscape?

Hafiz has found
Two emerald words that
Restored
Me

That I now cling to as I would sacred
Tresses of my Beloved’s
Hair:

Act great.
My dear, always act great.

What is the key
To untie the knot of the mind’s suffering?

Benevolent thought, sound
And movement.

~ Hafiz ~

(The Gift – versions of Hafiz by Daniel Ladinsky)

Photograph taken at a candlelight vigil outside the firehouse of Squad 18, NYFD, September 11, 2001.

Linked to Postcards from Paradise at Recuerda mi Corazon.

Wednesday, August 10, 2011

When Art Becomes Life

london busker - South Bank

London Busker South Bank© 2011 Heather Buckley

 

Cloudy Bell Jar

by Delilah Miller

Someone remind me it's a beautiful life;
even if it's the ground keeping you the right way up.
Trip yourself, pat down yourself, unwind yourself and brush off yourself.
I do it all like I've done for everyone else.
The bubble of loneliness always seems ready to pop
while I try to give it a happier name,
As in art, light and movement persist to never stay the same,
Watching summer fade out of my skin
and my eyes and the air I breathe.
Still the ground's under me

and I'm under a huge cloudy bell jar.

England riots: Tariq Jahan, father of Haroon Jahan, one of the three people killed in Birmingham, speaks to the media. Photograph: Carl de Souza/AFP ~guardian.co.uk  8/2011. Link to story is Here

I don’t want you to fight.

I’m lost for words. Go home please,

go home.’

~Tariq Jahan , father of one of the murder victims, addresses the crowd desiring revenge for the deaths of the three in Birmingham.

‘It doesn’t matter what colour you are.

For anyone to lose a son is sad.

I’m just praying that nothing more happens tonight.’

~Carol White, 50, a black mother of four who has lived in Winson Green all her life.

More on this story Here

Although these are not quite haikus, I thought that the words of Haroon’s father and some observers of the scene were powerful enough to stand as such.

Linked to Haiku My Heart. For more Haikus Please visit Recuerda mi Corazon. Thank you.


 

About the Photographer:

Heather Buckley Photography

I simply love photography. Since I gave up commercial photography and just do it for the love of it, I probably do even more! I would take on a commission if it really excited me so do get in touch if you think it will – but right now I am really happy just taking images, experimenting with style and processing and having some fun.

I do sell my images of course and you are free to browse the gallery – images are available as prints, canvasses and downloads.

*Photo of London Busker South bank published with author permission.